Monday, February 18, 2019

The Evolution of a Small Park Essay -- Descriptive Essay About A Place

Place Essay The Evolution of a Small parkPiazzetta Vescovato is not just the prettiest square in the heart of Brescias past downtown. Piazzetta Vescovato is a powerful symbol. Nested between Corso Zanardelli and Via Trieste, this weensy site has been a meaty part of the lives of generations and generations of Bresciani (inhabitants of Brescia). Half a century ago, la piazzetta(as I like to call it) witnessed the horrors of the Second World War, when frightened people stepped on its sanpietrini(those teeny-weeny cubic stones that made up the pavement of medieval European streets), attempting to passing water the Nazi soldiers or to reach a rifugio,an underground cellar that offered security from the bombs thrown down by German planes. After the war ended, the superficial square began to swarm with people engaged in different kinds of activities shops reopened, debar appeared, and the Vescovato (the residence and office of the Bishop), after having undergone some repair s, was functioning again inciting obeisance and intimidation. The aura of sacredness surrounding it, backed up by substantial fiscal funds (as in any good Roman Catholic institution), unplowed the masses at a safe distance, and poor people find quickly how the Christian message had gotten lost amidst the power and bureaucracy of it all. La piazzetta did its best to escape the authoritarian, obscure effect of the clergymen across the street. The bar at the northwestern corner of Via Trieste and Via Mazzini, and the one right in Via Mazzini, a little down the street toward Corso Zanardelli, balanced things out a bit, with their noisy male person clientele celebrating the end of the war with a few bianchini(glasses of local etiolated wine), games of cards, ... ...aluable upper middle-class clientele. The oysters and champagne bar is gone. In its place, an expensive botch up clothes boutique, right in front of one of the clergy stores, has been open for quite a while now. P eople stroll by, admire, and go on to thinker their own matters. It seems like the order has been re-established by some external force, unmapped to the layperson passing by. But if you stop there for a heartbeat and listen carefully, you may hear some of the thousand songs of terror, hope, glory, sadness, utopia, joy and grief, irresponsibleness and disillusion trapped in the leaves of the four trees. It is a subdued howling that has become part of the spirit of the piazzetta itself. Not everybody hears it, or feels it. Only the ones who chicane how to dream have access to the magic of it. And only for them, Piazzetta Vescovato, symbol of Resilience, comes to life.

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